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Drew Ellen Shiflett |
| EDUCATION: |
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| 1978 |
|
The
Maryland Institute, College of Art - Hoffberger School of Painting
- MFA |
| 1974 |
|
Columbia
College - BA |
| 1970 |
|
Goddard
College - Liberal Arts |
| GRANTS
& AWARDS: |
|
|
| 1993 |
|
Mid Atlantic / NEA Regional Visual Arts Fellowship - Sculpture
Mid Atlantic Arts Foundation |
| 1992 |
|
Guggenheim
Fellowship Award - Sculpture
John Simon Guggenheim Memorial Foundation |
| 1990 |
|
Artists'
Fellowship Award - Sculpture
New York Foundation for the Arts |
| SOLO
EXHIBITIONS: |
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|
| 2008 - 09 |
|
Lesley
Heller Gallery, New York City |
2006 |
Lesley
Heller Gallery, New York City |
|
2004 |
Islip
Art Museum, Collections Insights: Drew Shiflett, East Islip,
New York |
| 1993 |
|
The
InterArt Center, New York City (catalogue) |
| 1984 - 85 |
|
White
Columns, New York City |
| 1983 |
|
Fashion
Moda, Paper Constructions, Bronx, New York |
| GROUP
EXHIBITIONS: |
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2008 |
41st Annual Springs Invitational - curated by Janet Goleas at Ashawagh Hall, East Hampton, New York |
2007 |
Art As Color - curated by Carole Jay at the Jeanie Tengelsen Gallery of the Art League of Long Island, Dix Hills, New York |
| Pillow Talk - curated by Mery Lynn McCorkle at Ruth Bachofner Gallery, Bergamot Station Arts Center, Santa Monica, California |
Collection Insights: Recent Acquisitions - curated by Janet Goleas at the Islip Museum, East Islip, New York |
2005 - 06 |
|
Plane
And Form - curated by Jeff Rathermel, Minnesota Center
for Book Arts, Minneapolis, Minnesota
|
2005 |
Beautiful Dreamer – curated by David Gibson
at Spaces, Cleveland, Ohio (catalogue)
Six Outdoor Projects At LIU – curated by
Matthew Freedman at Long Island University, Brooklyn, New York (catalogue) |
2004 |
|
Art
On Paper 2004 – curated by Ron Platt at The Weatherspoon
Art Museum, Greensboro, North Carolina
200 Drawings – curated by Annie Herron &
Barry Blinderman (from Pierogi Flat Files, Brooklyn, NY) at University Gallery of Illinois State University, Normal, Illinois |
2003
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Work
In Process – three-person show at Kristen Frederickson
Contemporary Art, New York City
New Work New York – New Mexico Annie Herron’s
Selections from the Pierogi Flatfiles, Carlsbad Museum
and Art Center, Carlsbad, New Mexico
Worlds Apart Microcosm/Macrocosm - curated by K.
G. Rogers at Axel Raben Gallery, New York City
Artenavas 2003 - art festival curated by Blanca
Mora Sanchez, Las Navas Del Marques (Avila), Spain (catalogue)
New Projects Show - Dieu Donne Papermill &
Gallery, New York City
Custom Fit - Smack Mellon, Brooklyn, New York |
2002
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Art
for Now - Kristen Frederickson Contemporary Art, New York
City
TriBeCa Works on Paper Show - DFN Gallery, New York
City |
2001
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Liminal - curated by David Gibson at The Space @
Media Triangle, New York City; 2003, traveled to Hampden Gallery at U. of MA Amherst,
MA
Nature Revisited - curated by Lesley Heller at Kenise
Barnes Fine Art, Larchmont, New York
Sculpture - curated by Caroline Cox & Tim Spelios
at Flipside Gallery, Brooklyn, New York
Cross-Pollination - curated by Susan Joyce &
Mery Lynn McCorkle at Holland Tunnel Gallery, Brooklyn, New York and The Arboretum of Los Angeles County, Arcadia, CA |
2000
- 01 |
|
Invented
Spaces - curated by Lesley Heller at The Work Space at Dolgenos
Newman & Cronin LLP, New York City |
2000 |
 |
Checked
- Coat Check Room, Museum of Modern Art, New York City |
1999 |
|
New
York Undiscovered - Markham-Murray Gallery, New York City
Making It Up - Wake Forest University Fine Arts Gallery,
Winston-Salem, NC |
1998
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Paper
- Jeffrey Coploff Fine Art Ltd., New York City
Utopia - Momenta Art Gallery, Brooklyn, New York
Domain - curated by Karen Shaw at the Islip Art Museum,
East Islip, New York
Scale, relatively speaking - Art In General, New
York City |
1997
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Selected
drawings curated by Joe Amrhein, from the Flat File at
Pierogi 2000 Gallery in Brooklyn, New York, traveled to the Corner
House in Manchester, England, the Gas Works Gallery in London, England,
The Brooklyn Museum of Art in Brooklyn, New York -"Current
Undercurrent: Working in Brooklyn," The Gramercy International
Contemporary Art Fair at the Gramercy Park Hotel in New York City
The Art Exchange Show - Annie Herron Productions,
60 Broad Street, New York City
Spring Benefit - Sculpture Center, New York City
Across Lines - curated by Dan Devine, Rosenberg
Gallery, Hofstra University, Hempstead, New York
Fresh - Jeffrey Coploff Fine Art Ltd., New York
City
White Out - curated by Theresa Hackett at The Work
Space at Dolgenos Newman & Cronin, New York City |
1996
|
|
The
Innocence of Ornaments - curated by Germaine Keller at St.
Marks Position, New York City
Drawing From New York - Gray Matters Gallery, Dallas,
Texas
The Art Exchange Show - Annie Herron Productions,
60 Broad Street, New York City
Water Line - curated by Barrie Black at Black &
Herron Space, New York City
Black and White: Sculptors' Drawings - curated by
Susan Mastrangelo at MMC Gallery, Marymount Manhattan College, New York City (catalogue) |
| 1995 - 96 |
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Recreation
- curated by Karen Shaw at the Islip Art Museum, East Islip, N.Y.
(catalog) |
1995 |
|
Ooze - curated by Annie Herron at Black & Herron Space, New York City
Between This And That - NY Soho '95 Biennial - curated
by Carolanna Parlato at 473 Broadway, New York City
In Three Dimensions: Women Sculptors of the '90s - Part III
- curated by Charlotte Streifer Rubinstein, co-sponsored by The Women's Caucus
for Art/NYC Chapter and Snug Harbor Cultural Center, at Snug Harbor
Cultural Center, Staten Island, New York (catalogue)
Spirit House - sculpture in Willie Birch's installation,
El Museo Francisco Oller y Diego Rivera at the Martin Luther King
Urban Life Center, Buffalo, New York
The Crest Hardware Show - Crest Hardware, Brooklyn,
NY
Delving and Tinkering - curated by Tom Butter at
E. S. Van Dam Gallery, New York City
Beyond Circumstance - The Gallery at Hunter College,
M.F.A. Building, New York City (catalogue)
Critical Mass - curated by Charles Long at the McKinney
Avenue Contemporary Museum, Dallas, Texas (catalogue) |
1994 |
|
Critical
Mass - curated by Charles Long at the Yale University School
of Art, A&A Gallery, New Haven, Connecticut (catalogue)
Small & Wet - Abstract Painting & Sculpture,
Bernard Toale Gallery, Boston, Massachusetts
Spirit House - sculpture in Willie Birch's installation,
Hallwalls Contemporary Art Center, Buffalo, New York; show traveled
to 5501 Columbia - presented by Contemporary Culture and Documentary
Arts, Dallas, Texas |
1993 |
|
Idio
Cognito - curated by Caroline Cox at The Police Building
(Grand Street), New York City, and William Patterson College, Ben
Shahn Galleries, Wayne, New Jersey (catalogue)
Spirit House - sculpture in Willie Birch's installation,
Sculpture Center, New York City
Cartoonal Knowledge - Dooley Le Cappellaine Gallery,
New York City
Arachnosphere - curated by Kathleen Cullen, consultant
- Robert Mahoney, Ramnarine Gallery, Long Island City, New York
BWAC Spring Festival - Sculpture Survey '93 - co-curated
by Mariella Bisson and Vasela Sretenovic at One Main Space, Brooklyn,
New York |
1992 |
|
Salon
- Art In General, New York City
The Salon of the Mating Spiders - Herron Test-Site,
Brooklyn, New York
The Neurotic Art Show II: The Return of the Repressed
- Artists Space, New York City
The Radio Show - Artists Space, New York City (in
cooperation with Four Walls)
The 1.5 Show - curated by Yvonne Muranushi and Russet
Lederman at 148 Duane Street Gallery, New York City
The Travel and Leisure Show - Four Walls, Brooklyn,
New York
January - Sculpture Center, New York City |
| 1991 |
|
Selections
from the Slide File I - OIA, New York City |
| 1990 |
|
Points
of Origin - City Gallery, Dept. of Cultural Affairs, New
York City |
| 1988 |
|
Soho
Center for Visual Artists - New York City |
1986 |
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Liberty
Project - La Maison Francais, New York City
New York Academy of Sciences, New York City
New York Academy of Art, New York City |
| 1985 |
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Update
84-85 - White Columns, New York City |
| 1984 |
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Rhythm
and Form - 22 Wooster Gallery, New York City |
| 1983 |
|
Letter
From New York City - Sheppard Gallery, University of Nevada
at Reno, Reno, NV |
1982 - 83 |
|
55
Mercer Annual Invitational - 55 Mercer Street Artists, Inc.,
New York City - Sacred Artifacts, Objects of Devotion - Alternative Museum, New York
City(catalogue) |
1981 |
|
Five
From New York - Cannon Gallery, Maryland Institute College
of Art, Baltimore, Maryland |
1978 |
|
The
1978 Maryland Biennial Exhibition - The Baltimore Museum
of Art, Baltimore, Maryland (catalogue), The Dr. and Mrs. James Sherman Award |
1976 |
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The
1976 Maryland Biennial Exhibition - The Baltimore Museum
of Art, Baltimore, Maryland (catalogue), The Maryland Institute College of
Art Award |
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| BIBLIOGRAPHY: |
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ARTICLES |
|
Ariella Budick, “A Whiter Shade of Pale Suggesting Angels, DNA,” Newsday, July 20, 2007
Karen Searle, “Plane & Form at Minnesota Center for Book Arts,” Hand Papermaking, Volume 21, Number 1, Summer 2006
Jill Conner, “CustomFit,” Contemporary, Issue no. 52, 2003
Phoebe Mitchell, "Hampden Gallery Abstracts Invite Viewers Within," Hampshire Gazette, May 1, 2003
Rachel Youens, "In Review - Sculpture at Flipside," Arts,Volume 1, Number 4, wburg.com home, Summer 2001
Holland Cotter, "Sculpture," The New York Times, May 11 & 18, 2001
Ken Johnson, "Invented Spaces," The New York Times, January 19 & 26, 2001
Tom Patterson, "New York Explorers," Winston-Salem Journal, March 21, 1999
Tom Patterson, "All That Jazz," Winston-Salem Journal, March 7, 1999
Chris Lee, "Film & Video," Waterfront Week, Volume 8.10, May 21 - June 3, 1998
Annie Herron, "Fresh Perspectives," Review, Volume 2, Number 12, March 15, 1997
Helen A. Harrison, "Artists Who Make Work Out of Play," The New York Times, January 7, 1996
Tom Moody, "Critical Mass," Art Papers, July/August issue, 1995
Charles Dee Mitchell,, "'Critical Mass': More Than Meets The Eye," The Dallas Morning News, February 3, 1995
Shawn Hill, "Nature's Ordeal," Bay Windows, November 17, 1994
William Zimmer, "Sculpture at Two Displays In Wayne," The New York Times, December 5, 1993
Eileen Watkins, Review, The Star Ledger, December 5, 1993
Holland Cotter, "Willie Birch," The New York Times, September 24, 1993
Grace Glueck, "Update 1984-85," The New York Times, June 21, 1985
Marilu Knode, “Art News – 22 Wooster Gallery Featured a Group Show Entitled ‘Rhythm and Form’,” Manhattan Arts, Volume 11, Number 2, February 1, 1984, New York, NY |
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ESSAYS |
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“Collection
Insights: Recent Acquisitions,” essay by Janet
Goleas for Collection, Collection Insights: Recent Acquisitions show at
the Islip Art Museum, East Islip, NY, 2007
“Collection Insights: Drew Shiflett On Linear Thinking,” essay by Janet Goleas for The Permanent Collection, Collection Insights: Drew Shiflett show at the Islip Art Museum, East Islip, NY, 2004
“Work in Process,” essay by Kristen Frederickson PhD,
for brochure for Work in Process show at Kristen Frederickson
Contemporary Art, NYC, 2003
"Making It Up," essay by curators David Finn and Victor
Faccinto for brochure for Making It Up show at Wake Forest
University, Winston-Salem, NC, 1999
"Correct Me If I'm Wrong," essay by Barry Schwabsky for
brochure for White Out show at
Workspace, NYC, 1997 |
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CATALOGUES |
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Beautiful
Dreamer, foreward by Susan R. Channing, essay by David Gibson,
2005, SPACES, Cleveland, Ohio
Six Outdoor Projects At LIU, essay by Matt Freedman, 2005,
Long Island University,
Brooklyn, New York
Art On Paper 2004, introduction by Ron Platt, 2004, The
Weatherspoon Art Museum,
University of North Carolina At Greensboro
ArteNavas 2003, Feria De Artes Visuales, July 24 –
August 6, 2003, Colegio Publico Vicente Aleixandre, Las Navas Del
Marques (Avila)
Momenta Art Exhibitions 1995 Through 1999, introduction
by Eric Heist/Laura Parnes, essay by Bill Arning, Momenta Art, Brooklyn,
New York
Domain, essay by Karen Shaw, 1998 Islip Art Museum, East
Islip, New York
MMC Gallery Exhibitions 1995-1996, essay by Karen L. Harris,
1996, Marymount Manhattan College, New York City
In Three Dimensions: Women Sculptors of the '90s, introduction
by Olivia Georgia, essay by Charlotte Streifer Rubinstein, 1996,
Snug Harbor Cultural Center's Newhouse Center for Contemporary Art
and the Women's Caucus for Art/NYC Chapter Staten Island, New York
Creation/Recreation, essay by Karen Shaw, 1995, the Islip
Art Museum, East Islip, New York
Beyond Circumstance, introduction by James Acevedo, essay
by Margaret McInroe,
1995, Hunter College of The City University of New York, New York
City
Critical Mass, essay by Charles Long, 1994, Dallas Artists
Research and Exhibition, Dallas, Texas
The InterArt Center 1991-1994, introduction essay by Birgit
Spears, 1994, The InterArt Center, New York City
1993 Sculpture & Crafts, Regional Visual Arts Fellowships,
Mid Atlantic Arts Foundation, National Endowment For The Arts,
edited by Katie McCoy Chang, 1994, Mid Atlantic Arts Foundation,
Baltimore, Maryland
Idio Cognito, essay by Nancy Princenthal, 1993, New York
City
Drew Shiflett, essay by Kathleen Cullen, 1993, The InterArt
Center, New York City
White Columns Update 1989-1990, introduction by Bill Arning,
1990, White Columns in New York City
White Columns Update 84-85, introduction by Thomas B. Solomon,
1985, White Columns in New York City
Sacred Artifacts, Objects of Devotion, essay by Kenneth
S. Friedman, 1982, Alternative Museum, New York City
The 1978 Maryland Biennial Exhibition, introduction by
Tom L. Freudenheim, 1978, The Baltimore Museum of Art, Baltimore,
Maryland
The 1976 Maryland Biennial Exhibition, introduction by
Tom L. Freudenheim, 1976, The Baltimore Museum of Art, Baltimore,
Maryland |
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560 Broadway: A New York Drawing Collection at Work, 1991-2006, a list of more than 1,800 drawings that Sally and Wynn Kraminsky have donated to museums and other institutions, editor - Elizabeth Finch, published by Yale University Press, 2008, New Haven, Connecticut
The Private Arts, edited by D. R. Heiniger and Ken Saunders, published by Private Arts Press, 1994, Chicago, Illinois
Privates, edited by D. R. Heiniger and Ken Saunders,
published by Private Lives Press, 1984, Chicago, Illinois |
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2005
Baltimore Art Museum, Baltimore Maryland
2004 Islip Art Museum, East Islip, New York
2001 Werner H. Kramarsky, New York City
2001 Alexander C. Cortesi, New York City
1995 Peco Energy, King of Prussia, Pennsylvania
1983 Best Products Co., Inc., Richmond, Virginia |
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| TEACHING:
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| 1997 |
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Guest
Lecturer of Art, University of Connecticut, Storrs, Connecticut |
| 1995 |
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Guest
Lecturer of Art, Harvard University, Cambridge, Massachusetts |
| 1994 |
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Guest
Lecturer of Art, School of Visual Arts, New York City |
1987 |
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Lecturer
of Art, University of Texas at Austin |
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